FOLKLORE KHAKASSKY - oral folk poetic creativity.
Folklore and literature differ in that the first is created verbally and is passed from mouth to mouth from generation to generation, ie collectively, the second - in writing, usually individually, sometimes by one or two, rarely by three authors whose names are known.
The beginning of the poetic word is connected with the primitive communal system, when creative individuals, endowed with a special gift of artistic narration (narration), singing, did not stand out from others. It is not excluded that one person gave birth to creativity. But due to further collective work on it, the first of the authors was forgotten. The clan system was the longest by the time of its existence, life changed slowly, barely noticeable. Hence the oral poetic word was very stable. The most ancient genres throughout their lives were included in other genres, for example, myths - in a heroic epic. In the ancestors of Khakass, the birth of Folklore in the foreseeable past goes to a depth of at least 2.5 thousand years. To the most ancient genres, scientists include oral stories about the totemic ancestors of the clans and tribes, they are not preserved in an independent form among the Khakas. For example, in "Altyn-Aryg" it is told about wanderings in search of medicinal herbs and living water half-woman-halfwolf Pic-Tumzuh. She is a cult hero.
The art of the oral word from its very inception is art, sounding, radiating the energy invisible to the human eye of thought and speech, its rhythm and melody. Artistic techniques developed accordingly with this oral sound. In the oral poetic word, traditional repetitions play an important role, amplifying the impact of the sounding word on the listeners or intensifying the dramatic nature of the episode, for example, in the Khakas fairy tale, the horse-friend warns the hero three times about danger. Tradition manifests itself in repetitions of the paths, poetic formulas, which is due to the stability of life, the world outlook of the masses.
The folklore of the ancestors of Khakassians, as it is today, coexisted from the 6th to the 13th centuries. AD And later with written poetry, known as the Yenisei epitaphic lyric poetry, preserved on stone steles erected as monuments in honor of the deceased heroes. Literature does not replace Folklore - the creativity of the masses themselves.
Each creation of an oral word goes through several centuries, some of them - and millennia. More than one generation of improvisers can enclose their understanding of content, and leave something unchanged. This creates different versions of the same work. Variants of Folklore - its most important specific feature, as well as the oral creation of it. Thanks to the collectivity of existence, he lives in the centuries, otherwise he would have been lost. Influence and artistic tastes of his listeners, who can approve certain elements of the art of speaking or not. Combination of stability with separate. Changes in the content of samples are inherent in Folklore. Different versions of the same work are formed during improvisation moments.
Khakass Folklore has lyrics and epic, poetic and prose types and genres. Starting from blessings, children's pestles, lullabies, tongue twisters, patches, proverbs of riddles of riddles, myths, weeping and songs of animals and birds) to magical social and everyday tales, ballads of historical, tribal, toponymic, genealogical traditions and ethnological myths , Legends, folk story-lyric songs and controversial lyrical songs (tahpahs), large canvases of the heroic epic of historical and heroic legends in prose and verses of shamanic summoning of spirits-this is the range of species and genre forms Formation in the verbal art of the Khakass.
All their life and the life of their ancestors passed in the element of Folklore. The child was born - he was "fed" the fire of the hearth for him, so that he accepted and fell in love with a new member of the family, he grew up under lullabies, grew up-he was recited: "arba khoor, hoor, hoor!" (Barley fry, fry, roast! etc.). The people paid much attention to the spiritual and moral and mental development of the offspring, the upbringing of patriotism in it. To develop ingenuity and develop a speech, wrote counters and tongue twisters. Instructed with the help of proverbs, sayings and riddles. They developed a spiritual outlook, entertained and delighted with wonderful fairy tales, in which the sufferings and trials of the heroes necessarily end with the victory of the light forces. Thus the people in their work are always faithful to optimism.
Through folklore, every generation was inspired with faith in life, in a bright future and in self-reliance, knew well about inter-ethnic relations, taught broad thinking, developed an ethnic worldview in new generations of young people, they were told about wars - a historically heroic epic, for example, " TASHA-MATYR to know about the complexity of private, intimate life - told backward ballads, for example, about "Chanar Husa." They shared their lyrical thoughts, thoughts, sympathies or antipathies through controversial lyric songs
Folklore and literature differ in that the first is created verbally and is passed from mouth to mouth from generation to generation, ie collectively, the second - in writing, usually individually, sometimes by one or two, rarely by three authors whose names are known.
Photo from: http://hakasiya19.ru
Photo from: http://hakasiya19.ru
The art of the oral word from its very inception is art, sounding, radiating the energy invisible to the human eye of thought and speech, its rhythm and melody. Artistic techniques developed accordingly with this oral sound. In the oral poetic word, traditional repetitions play an important role, amplifying the impact of the sounding word on the listeners or intensifying the dramatic nature of the episode, for example, in the Khakas fairy tale, the horse-friend warns the hero three times about danger. Tradition manifests itself in repetitions of the paths, poetic formulas, which is due to the stability of life, the world outlook of the masses.
Photo from: http://hakasiya19.ru
The folklore of the ancestors of Khakassians, as it is today, coexisted from the 6th to the 13th centuries. AD And later with written poetry, known as the Yenisei epitaphic lyric poetry, preserved on stone steles erected as monuments in honor of the deceased heroes. Literature does not replace Folklore - the creativity of the masses themselves.
Each creation of an oral word goes through several centuries, some of them - and millennia. More than one generation of improvisers can enclose their understanding of content, and leave something unchanged. This creates different versions of the same work. Variants of Folklore - its most important specific feature, as well as the oral creation of it. Thanks to the collectivity of existence, he lives in the centuries, otherwise he would have been lost. Influence and artistic tastes of his listeners, who can approve certain elements of the art of speaking or not. Combination of stability with separate. Changes in the content of samples are inherent in Folklore. Different versions of the same work are formed during improvisation moments.
Photo from: http://hakasiya19.ru
Khakass Folklore has lyrics and epic, poetic and prose types and genres. Starting from blessings, children's pestles, lullabies, tongue twisters, patches, proverbs of riddles of riddles, myths, weeping and songs of animals and birds) to magical social and everyday tales, ballads of historical, tribal, toponymic, genealogical traditions and ethnological myths , Legends, folk story-lyric songs and controversial lyrical songs (tahpahs), large canvases of the heroic epic of historical and heroic legends in prose and verses of shamanic summoning of spirits-this is the range of species and genre forms Formation in the verbal art of the Khakass.
Photo from: http://hakasiya19.ru
All their life and the life of their ancestors passed in the element of Folklore. The child was born - he was "fed" the fire of the hearth for him, so that he accepted and fell in love with a new member of the family, he grew up under lullabies, grew up-he was recited: "arba khoor, hoor, hoor!" (Barley fry, fry, roast! etc.). The people paid much attention to the spiritual and moral and mental development of the offspring, the upbringing of patriotism in it. To develop ingenuity and develop a speech, wrote counters and tongue twisters. Instructed with the help of proverbs, sayings and riddles. They developed a spiritual outlook, entertained and delighted with wonderful fairy tales, in which the sufferings and trials of the heroes necessarily end with the victory of the light forces. Thus the people in their work are always faithful to optimism.
Photo from: http://hakasiya19.ru
Through folklore, every generation was inspired with faith in life, in a bright future and in self-reliance, knew well about inter-ethnic relations, taught broad thinking, developed an ethnic worldview in new generations of young people, they were told about wars - a historically heroic epic, for example, " TASHA-MATYR to know about the complexity of private, intimate life - told backward ballads, for example, about "Chanar Husa." They shared their lyrical thoughts, thoughts, sympathies or antipathies through controversial lyric songs
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